In recent years, the music industry has seen a significant crossover between secular and faith-based artists. This trend has sparked discussions and debates within various communities, particularly among those who identify as religious.
While some maintain a strict separation between sacred and secular music, others advocate for collaboration to reach broader audiences and promote positive messages.
Ghanaian gospel artist Ceccy Twum believes that gospel musicians working with secular artists are not harmful as long as the collaboration does not compromise their values.
Ceccy emphasized that the key to such collaborations is ensuring that gospel artists maintain their influence over secular musicians, rather than being swayed by them.
In an exclusive interview with Ghanaian artist, Bismark Paapa Amponsah, popularly known as MIB in the entertainment industry has revealed his perspective on the benefits gospel artists gain from collaborating with secular artists and vice versa.
“Gospel artists gain exposure to broader audiences, increased visibility, and opportunities to share their message with those who may not typically listen to gospel music. Collaborations also allow gospel artists to tap into new sounds, styles, and creative perspectives, potentially leading to innovative and refreshing music.
“Secular artists benefit from the spiritual depth, authenticity, and emotional intensity that gospel musicians bring to their music. Gospel collaborations can add a layer of meaning and substance to secular artists’ work, potentially attracting new fans seeking more than just entertainment.”
MIB
Music has always been a powerful medium for expression, communication, and connection. It transcends cultural and ideological barriers, allowing individuals to share experiences and emotions.
By collaborating with secular artists, faith-based musicians reach diverse audiences, share their messages, and foster understanding.
In characterizing the evolving relationship between gospel and secular music in Ghana and globally, MIB mentioned that the relationship is becoming increasingly interconnected, with blurred lines between genres.
According to him, gospel and secular artists are recognizing the value of collaboration, leading to a more diverse and inclusive
musical landscape. “This trend is driven by the desire for creative expression, cultural exchange, and reaching broader audiences,” he said.
The artist stated that this trend has been emerging over the past decade, citing pioneers like Kirk Franklin and Mary Mary paving the way for gospel-secular collaborations. “The rise of urban gospel and contemporary Christian music has further bridged the gap between genres,” MIB noted.
MIB revealed how important it is for faith-based artists to retain their values.
“It is crucial. Faith-based artists must ensure their values and message remain intact while being open to creative exchange. This requires clear communication, mutual respect, and a strong sense of identity.”
MIB
Despite differences in beliefs, many secular and faith-based artists share common values, such as love, compassion, and social justice.
Collaborating allows artists to focus on these shared ideals, creating music that resonates with a broad audience. By emphasizing common ground, artists foster a sense of community and inspire positive change.
Addressing Concerns
Artists fear that working with those outside their belief system compromises their authenticity.
However, collaboration does not necessitate abandoning one’s values. Instead, it serves as an opportunity to reinforce and share those values in new and engaging ways.
Artists who collaborate with secular musicians face criticism from their communities. Some view these collaborations as a departure from traditional values.
Musicians need to communicate their intentions clearly, emphasizing the positive aspects of collaboration and the potential for broader impact.
Not all collaborations are created equal. Artists must be discerning in their choices, seeking partners whose values align with their own.
Talking about the trend being driven more by commercial interests or genuine artistic collaboration, MIB stated emphatically that both factors play a role. “While commercial interests can initiate collaborations, genuine artistic connections and shared visions often emerge during the creative process,” he added.
The artist further expressed his thoughts on how to respond to critics who argue gospel artists should avoid secular collaborations.
“I understand concerns about preserving spiritual purity, but I believe collaborations can spread the gospel message to new audiences, demonstrate Christianity’s relevance in contemporary culture, foster understanding and unity, and showcase the diversity and richness of gospel music.”
MIB
Collaborating with secular artists is not only acceptable but also a powerful tool for promoting understanding, creativity, and positive change.
In an increasingly interconnected world, collaboration serves as a bridge, allowing artists to share their messages in ways that are impactful and meaningful.
There is nothing wrong with collaborating with secular artists; rather, it is a vital step toward building a more inclusive and understanding society.
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