Ghanaian rapper, M.anifest has highlighted the devastating impact of illegal small-scale mining (Galamsey) on Ghana’s environment.

He said this while reflecting on his visit to an affected site 11 years ago while shooting the video for his song “No Shortcut to Heaven.”

The rapper noted that Galamsey was already a significant issue at the time.

“Still, many Ghanaians are only now coming to terms with its full effects. As a musician, you need to be a keen observer of your society, Galamsey did not start recently.”
M.anifest

According to him, his keen observation enabled him to relay messages that mirror society, and he applauded all musicians for being keen observers through storytelling in their music.

Speaking on the harsh conditions workers of illegal mining sites face, he said, “I couldn’t stand it that day because I experienced what it felt like in just a day and couldn’t even take it.”

The rapper also shed light on his difficulties in the video’s shooting.

He revealed that finding the location of an actual ‘galamsey’ site was not easy, as his management had to finesse their way through because of the concealed illegal activities happening there.

M.anifest Says Popularity Doesn’t Equal Wealth

Renowned Ghanaian rapper, Kwame Ametefe Tsikata, better known as M.anifest, shared thought-provoking insights on the realities of being an artist in the African music industry, emphasizing that popularity does not automatically translate into financial success.

He revealed the ongoing struggles artists face despite their fame.

“Popularity of a song does not make you rich. There’s no automatic link between being popular and earning money.”
M.anifest

M.anifest explained, citing Ghana’s music industry’s lack of business infrastructure as a major challenge.

The Ghanaian rapper highlighted the absence of a robust business structure to support artists in Ghana.

Unlike other global music markets, where systems ensure artists reap benefits from their art, Ghanaian musicians often depend on creativity and resourcefulness to access global capital.

“If you release an album and want to tour all 16 regions, there isn’t an established structure to support that. Many of us, myself included, have had to play the role of both artist and entrepreneur to survive.”
M.anifest

M.anifest emphasized that while African music is currently enjoying global recognition, the infrastructure to sustain and capitalize on this momentum is underdeveloped.

Amid the challenges, M.anifest continues to lead by example, curating the highly anticipated M.anifestivities. This year, the festival spans two days at GHUD Park, near the Accra Mall.

M.anifest also spoke passionately about his commitment to showcasing African culture unapologetically.

“When an Indian or Japanese artist embraces their identity, no one questions it. But as Africans, we often feel pressured to dilute who we are. My music asserts our identity and challenges stereotypes.”
M.anifest

His song “Debi Debi” reflects these sentiments, tackling themes of leadership and urban frustrations, including Accra’s infamous Shiashie traffic. “Music is a tool to inspire change while staying authentic to our roots,” he added.

Reflecting on his career, M.anifest shared that resilience and a “healthy dose of delusion” are necessary for greatness. He advised young musicians to aim higher, be thorough, and remain grounded.

With over a decade of experience, M.anifest’s ability to merge social commentary with artistry continues to inspire. As he gears up for M.anifestivities, he hopes to leave fans with “residual happiness and joy,” a hallmark of his brand of premium entertainment.

This December, M.anifest doesn’t just promise a festival; he offers an experience that celebrates African identity, creativity, and unity.