Singer Laments Audiences Now Attend Live Concerts Finding Faults

Live concerts have always offered more than just sound and spectacle—they are communal rituals of emotion, energy, and connection between performer and audience.

Yet, across recent years, observers—from artists to fans—have noted a troubling shift: many concertgoers attend not primarily to enjoy or be moved by the show, but to record mishaps, find moments that might go viral, or critique from the seat rather than lose themselves in the moment.

This trend threatens not only the experience for true fans but also damages performers, concert culture, and what “liveness” in performance is supposed to be.

Gyakie has expressed concern over the changing atmosphere at live concerts, saying audiences no longer attend primarily to enjoy performances.

The Ghanaian singer observed that many fans now approach shows with the intention of spotting mistakes and turning them into viral content.

“Most people don’t even go to shows to enjoy them anymore; they go there to find breaking news. They go there to see who fell, and they go there to find who missed the key. The motive is moving away from enjoying life and accepting that we are all humans and people make mistakes, and it’s more I’m going there to make sure I get some bad news and then come and post it up and be trending. Things are not fun anymore; people are being too careful with everything.”

Gyakie

She acknowledged that criticism has always been part of an artist’s journey, but argued that it has now become excessive and, at times, intentionally harsh.

“Nobody is far from criticism, but it is becoming a bit too much. It’s like people even do it on purpose. You can go on the internet and somebody sets up a camera to dissect your entire life when they don’t know anything about you.”

Gyakie

According to Gyakie, this culture of fault-finding has turned live performances into high-pressure moments rather than spaces for creativity and shared joy.

Reports highlight that audience disruptions—throwing objects, using phones distractingly, shouting—have increased. Experts often link this to social media culture, where the opportunity to capture and share exaggerated or sensational moments encourages audience members to misbehave.

Many artists report feeling disconnected when audiences watch performances through screens rather than with their eyes and hearts. One commentary noted that when people record entire shows or whole sets on phones, the shared energy between stage and crowd is diluted; performances become mediated rather than directly experienced.

These behaviours are not just annoyances. They can be disrespectful to artists who craft their performance with intention. Also, poor behaviour from some audience members can ruin the experience for others—crowd safety concerns, reduced enjoyment, and a sense that public performance spaces have lost their sanctity.

Why This Trend is Harmful

Live concerts are designed to be shared realities, with unpredictable moments, emotional intensity, and collective breathing space. When the crowd is watching through screens, the shared atmosphere is fractured.

Artists lose the immediacy of feedback. It’s harder to read the room, adjust, and feel connected when many eyes are behind cameras.

Attempts to gain attention (via throwing phones, objects, or shouting) introduce risks, both physical and reputational. They escalate into dangerous behaviour.

When fans prioritise capturing viral moments over listening or witnessing, the artistry (set design, musical build-up, subtleties) is overlooked, undervalued, or interrupted.

Live concerts are not only about what happens onstage—they are co‑created moments between performer and audience. As motivations shift toward capturing faults, generating viral content, or being seen rather than listening, the heart of “live experience” risks erosion.

But with mindful efforts—from artists, venues, fans, and platforms—it’s possible to reclaim the magic of live performance: the shared breath, the spontaneous moments, the electric energy that isn’t mediated through a screen. It’s up to all who love music to insist that when they pay for a ticket, what is deserved is presence—not just content.

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