Tag: financial returns

  • Stop Personalizing Mining Policy; Prioritise State Benefits – Bright Simons Urges

    Stop Personalizing Mining Policy; Prioritise State Benefits – Bright Simons Urges

    Bright Simons, the Vice President of IMANI Africa and a prominent policy analyst, has urged Ghanaians to desist from reducing critical mineral extraction debates to personal attacks and instead focus on maximizing financial returns for the state.

    The civil society leader expressed deep worry over a growing national trend where objective assessments of resource exploitation are immediately misinterpreted as personal vendettas against indigenous business magnates.

    According to him, analyzing natural resource governance through a strictly civic and structural framework remains the only credible way for the sovereign owner the state to derive real economic value from its finite natural wealth.

    This intervention seeks to re-orient public conversations away from emotional conversations regarding ownership and steer it toward systemic performance metrics, commercial efficiency, and long-term national development goals.

    “A truly sensible and careful analysis of the situation has nothing to do with ownership at all because, nominally, the country already owns the resources. The only serious analysis is how to create the right path to getting to a flourishing ecosystem with citizens being in charge of most of the businesses while maximizing total revenue. Unfortunately, far too few people care enough about this structural path because if they cannot personalize an issue, they simply cannot relate to it.”

    Bright Simons, the Vice President of IMANI Africa
    Bright Simons, IMANI vice president

    The policy expert, who has consistently championed extractive sector transparency for over fifteen years, explained that the persistent personalization of natural resource discussions stems from a fundamental public misunderstanding of how sovereign mineral ownership works in sub-Saharan Africa.

    He expanded on this structural reality by pointing out that while private individuals can outrightly own underground minerals in Western jurisdictions like Australia, Canada, or the United States through direct land purchases, the legal landscape in Ghana is entirely different because the state holds absolute, permanent custody of all mineral resources.

    Consequently, the national discourse should shift entirely from who nominally owns the concession to how effectively the government monitors private concessionaires, prevents revenue leakage, creates sustainable local jobs, and captures its rightful share of global windfalls to fund vital social services like healthcare and education.

    The Fallacy of Nominal Ownership Versus Operational Efficiency

    Using a vivid urban parallel, Simons compared the sovereign state to an entity that has constructed a massive, commercially vibrant shopping mall at the bustling Accra Circle intersection with the sole aim of generating revenue for public infrastructure.

     “The state essentially faces a binary choice: either raise capital to run every single shop, cinema, gym, and restaurant internally or lease those spaces out to external operators under long-term profit-sharing agreements,” he observed during his analytical breakdown.

    Historical evidence across developing economies shows that when governments attempt to manage commercial retail spaces or complex mining operations directly, the ventures frequently collapse under the weight of bureaucratic inefficiency, resulting in severe losses borne entirely by ordinary taxpayers.

    Lands Minister with Chamber of Mines CEO

    Having learned from these historical failures, the Ghanaian state naturally opted for the profit-sharing path, which automatically shifts the critical policy question away from passport nationalism toward absolute competence.

    The primary focus of regulatory institutions must be assessing whether an operator possesses the requisite technical capacity to generate huge profits, employ thousands of local citizens, and deliver premium services.

    When citizens blindly shield local operators from rigorous regulatory scrutiny simply because of their nationality, they inadvertently undermine the state’s capacity to verify if it is receiving a fair deal from its natural resources.

    Prioritising State Benefits to Cure Extractive Sector Deficits

    A thorough investigation into Ghana’s mining history reveals an urgent need to prioritize total state benefits over symbolic ownership percentages to salvage the national economy.

    Over the decades, the country has frequently ranked as one of Africa’s top gold producers, yet structural deficits persist because public discourse remains heavily obsessed with the identity of the mine operators rather than the actual volume of corporate taxes, royalties, and dividends entering the national treasury.

    Bright Simons, IMANI vice president

    Having a hundred local individuals in charge of our mineral blocks means very little if the overall yield to the state cannot fund our national budget or stabilize our volatile local currency,” an extractives researcher noted in support of the thesis.

    Maximizing fiscal take ensures that the non-renewable wealth of the nation is successfully transformed into permanent human capital and sustainable infrastructure.

    Furthermore, focusing heavily on state benefits compels regulatory bodies like the Minerals Commission and the Ghana Revenue Authority to upgrade their technical auditing capabilities.

    When the state prioritizes real fiscal returns, it actively invests in sophisticated tracking systems to monitor the exact volume of minerals extracted, preventing common industry malpractices such as transfer pricing and base erosion.

    This shift in national priority forces both foreign multinationals and indigenous conglomerates to operate under the same strict rules of accountability, ensuring maximum transparency across the entire value chain.

    Constructing a Sustainable Framework for Local Content

    The ultimate objective of any progressive mineral policy must be achieving a healthy equilibrium where the state enjoys massive financial inflows while systematically building the capacity of indigenous businesses to manage complex operations.

    This dual triumph cannot be achieved through emotional protectionism or by treating local corporate entities as above public criticism.

    Instead, it requires a structured, policy-driven local content framework that penalizes inefficiency while aggressively upskilling local engineers, suppliers, and managers to compete globally.

    Bright Simon, Vice-president, IMANI

    By filtering natural resource conversations through a sober policy lens, Ghana can move away from the toxic cycles of personalization that stifle honest intellectual debate.

    National transformation occurs when citizens collectively demand strict institutional accountability, transparent bidding processes, and optimal fiscal returns from whoever holds a mining license.

    Only when the country prioritizes aggregate national benefits over narrow individual identities will Ghana’s subterranean wealth truly reflect in the living standards of its populace.

  • Kwabena Kwabena says Investing in Artists is Lucrative

    Kwabena Kwabena says Investing in Artists is Lucrative

    Investing in artists, whether through purchasing their works, supporting their projects, or engaging with them in other ways, has yielded financial returns and contribute to the cultural landscape.

    The world of art has long been considered a realm of creativity, passion, and expression. However, it has also emerged as a viable investment opportunity in recent years.

    Renowned Ghanaian highlife musician, Kwabena Kwabena, has opened up about the challenges artists face in the industry, particularly the lack of investment and support.

    The celebrated artist emphasized the need for individuals and corporate bodies to invest in the creative arts, noting that talent alone is insufficient to thrive.

    “Another challenge is investment into our business. The investment is not there. We are appealing to individuals and corporate bodies. If an artist reaches out to you, it’s because this is all we have. God gave us this talent to thrive with it and to come into your homes.”

    Kwabena Kwabena

    Investing in artists is not just about financial gain; it also involves supporting creativity and cultural expression.

    Collectors often find that owning a piece of art enhances their lives, provides emotional satisfaction, and contributes to their identity.

    This intrinsic value sometimes outweighs the financial aspect, making art investment a fulfilling endeavor.

    The most straightforward way of investing in artists is by purchasing their artwork. This involves buying paintings, sculptures, photographs, or mixed media pieces.

    When investing in artists, the artist’s track record, their market presence, and the uniqueness of the piece must be considered. Emerging artists offer lower prices, presenting an opportunity for significant appreciation.

    Art funds are investment vehicles that pool money from multiple investors to purchase art. These funds are managed by professionals who have expertise in the art market.

    Investing in art funds allows individuals to gain exposure to a diversified portfolio of artworks without the need for extensive knowledge or the responsibility of managing the collection.

    Investing in emerging artists is particularly lucrative. By supporting their projects through platforms like Kickstarter or Patreon, investors help artists gain visibility and credibility.

    As the artist’s career develops, early supporters benefit from the appreciation of the artist’s work.

    Investors also engage with artists through collaborations or commissioned works. This approach not only supports the artist financially but also leads to unique pieces that appreciate over time.

    Risks of Investing in Artists

    Investing in artists is lucrative
    Kwabena Kwabena

    While investing in artists is lucrative, it is not without risks.

    The art market is volatile and is influenced by trends, economic conditions, and cultural shifts. What is popular today does not hold the same value tomorrow.

    Investors should be prepared for fluctuations in value and should not rely solely on art as their primary investment strategy.

    Unlike stocks or bonds, art is not a liquid asset. Selling a piece takes time, and finding the right buyer is challenging.

    Investors should be prepared for the possibility that they need to hold onto their investment for an extended period.

    Addressing the perception that investing in artists may not yield returns, Kwabena Kwabena explained that sponsorship offers mutual benefits.

    “There’s something called sponsorship. The moment you put your weight behind any artist, there’s an opportunity for visibility for your business. If the artists are good and thriving, associating yourself with them will help you recoup your returns.”

    Kwabena Kwabena

    With over 20 years of experience in the music industry, Kwabena Kwabena attested to the lucrative nature of the business.

    “This business has made me who I am and has taken care of everything I do. It is a great business, but we just have to know how to go about things.”

    Kwabena Kwabena

    Investors develop an emotional attachment to the art they purchase, making it challenging to view their investment objectively. This leads to difficulties in making rational decisions about selling or holding onto a piece.

    Investing in artists presents a unique opportunity for those looking to diversify their portfolios while supporting creativity and culture.

    With the potential for significant appreciation, emotional satisfaction, and the chance to be part of an artist’s journey, investing in art is both lucrative and fulfilling.

    However, it is essential to approach this investment strategy with caution, conducting thorough research and being aware of the inherent risks involved.

    As the art market continues to evolve, those who invest wisely find themselves not only with valuable assets but also with a deeper appreciation for the power of art in society.