In a candid and reflective interview, award-winning Ghanaian singer-songwriter Kuami Eugene has provided fresh details on his departure from Lynx Entertainment, dispelling rumours of bad blood and emphasizing a desire for creative autonomy after eight successful years with the label.
Kuami Eugene, known affectionately as the “Rockstar,” used the platform to reflect on his journey, his gratitude to Lynx, and his vision for the next chapter, highlighted by the recent release of his Sweet Boy EP. “I left Lynx because of opinion reasons,” Eugene stated clearly in the interview.
“I have always been that guy where I am looking for that opportunity where I can sit and make complete opinions about everything that I do.”
Kuami Eugene, Singer and Songwriter
He explained that after nearly a decade under the label’s wing, he craved fuller control over his artistic decisions, direction, and career moves.
This revelation aligns with earlier comments he made recently, where he stressed that the exit was not triggered by any conflict. “I did not leave Lynx over an issue. I left because I have been there for eight years. I have loved our journey and I have learnt so much from Lynx Entertainment,” he had said.
He praised Lynx as “still the biggest record label Ghana has ever had” and insisted, “Lynx and I can never fight and it will not happen.”
He revealed that the label organised a special send-off dinner for him a gesture he described as a first for any of their artistes.
“I am very glad that I was the first artiste that they have thrown a sign-off party for. We had a big dinner, we all had fun and Richie said to me that they are available anytime I need them”
Kuami Eugene, Singer and Songwriter
Richie Mensah, CEO of Lynx Entertainment, has long been a mentor figure whom Eugene continues to respect deeply.
Even post-departure, collaboration endures. Eugene noted that Lynx team members assisted with arrangements and feedback for tracks on his Sweet Boy EP before its April 2026 release.
The eight-track project features collaborations with Gyakie on “Stranger” and Johnnie Drille, showcasing a cohesive “Sweet Boy” theme that blends romance, self-reflection and Eugene’s signature highlife-Afrobeats fusion.
Born Eugene Kwame Marfo on February 1, 1997, in Akim Oda, Kuami Eugene rose from church choir roots to become one of Ghana’s most versatile and decorated artistes.
Notable Awards
He joined Lynx Entertainment around 2017–2018 and quickly made his mark. His breakthrough hits like “Angela,” “Wish Me Well,” “Ohemaa,” and others earned him multiple Ghana Music Awards (VGMA), including Artiste of the Year in 2020, Highlife Artiste of the Year honours, Album of the Year, and Producer of the Year.

He also received the Most Promising Artist in Africa at the AFRIMA Awards.
Eugene’s songwriting and production prowess -he has claimed to have written and produced about 90% of his catalogue -gave him strong negotiating power, ensuring he retained ownership of much of his work even after leaving the label.
His international feature on CKay’s global smash “Love Nwantiti” further expanded his reach.
In the interview, Eugene touched on the pressures of fame, including navigating online “hate” that he attributed partly to the romantic appeal of his music among female fans, sometimes causing tension with male listeners.
He also discussed the challenges and freedoms of independence, admitting that while autonomy is empowering, discipline is crucial to avoid complacency.
Industry observers view his exit as part of a broader trend of established Ghanaian artistes seeking greater control in an evolving music business.
Unlike some high-profile departures marked by public drama, Eugene’s has been notably quiet and respectful – a deliberate choice, he said, to keep the focus on the music rather than sensational stories.
As he enters this new independent phase with his own vision (and reportedly his own imprint), fans and stakeholders are watching closely.
The Sweet Boy EP has been well-received, with early praise for its emotional depth and cohesive storytelling – a skill Eugene credits partly to lessons learned at Lynx.

In a Ghanaian music scene often fueled by speculation, Kuami Eugene’s latest interview stands out for its maturity. It reinforces that successful artist-label relationships can evolve gracefully, even when paths diverge.
With new music on the horizon and the full backing of his dedicated fanbase, the “Rockstar” appears poised for continued relevance on his own terms.
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