Ghanaian Reggae and Dancehall sensation, Stonebwoy has responded to criticism over his comments on a recent GRAMMY article discussing the history of hiplife music in Ghana.
The article explored the origins and evolution of hiplife from the late 90s to the present, highlighting pioneers like Reggie Rockstone, Mzbel, and Obrafour, as well as newer artists who are keeping the genre alive.
However, the article also mentioned Black Sherif and King Paluta for their contributions to putting Ghanaian music on the global stage, a move that Stonebwoy criticized.
Stonebwoy defended his statement, clarifying that he’s not opposed to the mentioned artists but rather questions the relevance of Black Sherif and King Paluta to the 90s hiplife conversation, as they hadn’t yet entered the mainstream.
“I am a son of hiplife today, but it doesn’t change the fact that the article wants to capture the Ghanaian sound. The article captures the state of Ghanaian sound disguising under hiplife.
“We know better. We cannot sit here to have our sound captured whereby it takes it all the way and comes back to Black Sherif and King Paluta. What are their roles in hiplife? Are they hiplife artists?”
Stonebwoy
He asked, “What are the roles of Blacko and Paluta in hiplife? One may argue that they tap inspiration from hiplife, but so do I.”
He further expressed disappointment over the omission of his name, which he viewed as part of a larger agenda to discredit his efforts in the industry.
“It’s not about my name being on the GRAMMY platform. I’ve had more articles written about me there. But the story should capture the true essence of Ghanaian music, especially hiplife, which is our foundation. The article didn’t do due diligence.”
Stonebwoy
The debate raises questions about the representation and recognition of artists in the Ghanaian music industry.
Besides Stonebwoy, other legends, including Tic and Kwaw Kese, have also voiced their reservations.
Artist Defends 2019 GMA Artiste of the Year Title
Stonebwoy defended his claim to the 2019 Ghana Music Awards Artiste of the Year title, which was never officially announced.
The dancehall artist reiterated his belief that he rightfully earned the title, expressing his confidence in his achievements.
“I have boldly spoken about the three times, and I will continue to speak up until anyone doubts to speak otherwise.
“I have accepted that it is three times already, and I’m gladly rallying it around, giving a lot of credit and placing importance on the Ghana Music Awards. So, as for that one, I’m confident about it. I’m not dragging it with them.”
Stonebwoy
He questioned the necessity for further evidence, stating, “How deep can it get? How deep can it get when Kwame Sefa Kayi, DJ Black, and myself are in the know? It is not about me proving it now. It is about those who want to prove otherwise.”
Stonebwoy invited anyone who doubted his claim to come forward and assert their claims if they felt differently.
“If anyone thinks otherwise, they should also boldly come out and claim that they are the winners as well,” he added.
Stonebwoy also shared his thoughts on his recent reconciliation with socialite and video vixen, Efia Odo.
The two made peace at the Ridge Condons in Kumasi during the All-Black Party, following a period of tension after Efia Odo publicly supported King Promise for the 2024 Artiste of the Year award over Stonebwoy.
“What she [Efia Odo] said is her opinion. And it was very obvious to every person who uses Twitter and social media to realize that she was advocating for a friend like she says.
“She realized that she overstepped the boundaries, and went back through whatever means to go and apologize. The most important thing is that she realized that she had to do what she did.”
Stonebwoy
Stonebwoy, however, expressed surprise at the initial conflict, given his long-standing acquaintance with Efia Odo.
He suggested that understanding Efia Odo’s reasons for her actions could provide insight that would end up reflecting positively on him.
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