The Secret Lives of Baba Segi’s Wives, the highly anticipated feature film adaptation of Lola Shoneyin’s acclaimed 2010 novel, has been officially selected for the Centrepiece Programme at the 51st Toronto International Film Festival.
The announcement, paired with the release of the film’s first official trailer, marks a significant milestone for Nigerian cinema on the global stage.
The film will make its world premiere at TIFF, which runs from September 10 to 20, 2026. Produced by EbonyLife Films, the film arm of Mo Abudu’s EbonyLife Group, in partnership with Genesis Media Group, Nile Media Entertainment Group, Silverbird Group and Flytime Entertainment, the project represents EbonyLife Films’ return to theatrical cinema after a five-year hiatus.
It is scheduled for a nationwide cinema release in Nigeria and select international territories on December 4, 2026.
Directed by Daniel Oriahi, known for works such as The Weekend and Taxi Driver: Oko Ashewo, the film stars a powerhouse ensemble of Nollywood talent. Odunlade Adekola leads as Baba Segi, the wealthy, larger-than-life patriarch. He is joined by Iyabo Ojo, Mercy Aigbe, Bimbo Ademoye and Omowunmi Dada, who plays Bolanle, the educated fourth wife whose arrival upends the carefully maintained order of the household.
Supporting performances come from a deep bench of actors including Nkechi Blessing, Bimbo Manuel, Bisola Aiyeola and others, with special appearances by familiar faces such as Daniel Etim-Effiong, Kunle Remi and Tina Mba.
Shoneyin’s novel, longlisted for the Women’s Prize for Fiction and widely regarded as one of the most significant African literary works of recent decades, centres on a polygamous family in modern Nigeria. Baba Segi, proud and traditional, lives with three wives and seven children in what appears to be a harmonious compound.
The balance is disrupted when he marries Bolanle, a university graduate who struggles to conceive. As medical investigations begin, long-buried secrets among the senior wives surface, exposing tensions around power, infertility, gendered expectations, inheritance and survival within a patriarchal structure.
The trailer, released to celebrate the TIFF selection, offers a vivid glimpse of the story’s tone. Scenes of vibrant family gatherings in traditional attire give way to quieter, more charged moments of confrontation and vulnerability. Dialogue captures the sharp wit and emotional undercurrents that define both the novel and Nollywood storytelling at its best. One character declares, “I don’t have one wife. I have three wives.” Another asserts, “I’m doing what’s best for me.” The trailer ends with the confirmation of the December 4 cinema release and the TIFF official selection badge.
Mo Abudu emphasised the importance of cultural authenticity in the adaptation. “Authenticity was at the heart of every creative decision we made, which is why we chose to tell this story predominantly in Yoruba,” she said. “It is the language these characters speak, live and love in, and preserving that authenticity was essential while bringing this powerful story to audiences around the world.” Moses Babatope, CEO of Nile Entertainment Group, described the selection as a true honour, noting that the film was chosen from more than 9,000 submissions for the prestigious Centrepiece programme.

TIFF’s Centrepiece section showcases a diverse slate of international cinema, featuring titles from dozens of countries. The inclusion of The Secret Lives of Baba Segi’s Wives places a major Nollywood production alongside works from established and emerging filmmakers across the globe.
For Nigerian cinema, which has seen growing international recognition in recent years through streaming platforms and festival circuits, a world premiere in Toronto’s main programme signals expanding reach and ambition.
The novel has previously been adapted for the stage, including a well-received production in London that highlighted its themes of marital power dynamics and sexual politics. The film version aims to translate the book’s layered character perspectives and darkly comic edge into a cinematic experience that balances humour, drama and social observation.
Screenwriters Adze Ugah, Lola Shoneyin and Heidi Uys worked to retain the novel’s emotional complexity while shaping it for the screen. Shoneyin herself serves as a producer, ensuring close fidelity to the source material’s spirit.
Public Reaction
Industry observers note that the project arrives at a moment of heightened interest in African stories with global appeal. Large-scale collaborations between production houses, distributors and exhibitors, as seen here with the partnership of EbonyLife, Genesis, Nile, Silverbird and Flytime, are designed to support wide theatrical releases across Africa and beyond. The film’s December release positions it as a major holiday season event in Nigerian cinemas, with further international rollouts expected.
Audiences familiar with the novel will recognise the central conflict: the arrival of an educated, modern wife who inadvertently threatens the secrets and survival strategies of the senior wives. Those new to the story will encounter a richly drawn world of family politics, tradition and individual agency. The trailer’s blend of celebratory sequences and tense personal moments suggests a film that aims to entertain while engaging deeper questions about gender, power and the costs of silence.

As the film prepares for its Toronto premiere and subsequent theatrical run, the selection and trailer release have already generated strong interest among fans of the book and followers of contemporary African cinema. For Abudu, Oriahi and the cast, the journey from page to screen and now to one of the world’s major film festivals represents both validation and the beginning of a wider conversation.
The secrets of Baba Segi’s household are about to reach a much larger audience.
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