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in Entertainment

Kweku Smoke and Lasmid Release New Single Faith

Nana Adwoa Nhyira Bonsuby Nana Adwoa Nhyira Bonsu
August 28, 2026
Reading Time: 5 mins read
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IMG 7035

Ghanaian rapper Kweku Smoke has officially released his first single of 2026, teaming up with fellow artist Lasmid on the track titled “Faith.” The song, produced by Mog Beatz, dropped on Thursday night and is now available across major streaming platforms.

The announcement and artwork quickly circulated on social media, with entertainment accounts highlighting the collaboration between two prominent voices in Ghana’s contemporary music scene.

The official cover art presents a striking black-and-white image of the two artists against a dark background. Kweku Smoke appears in a camouflage-patterned hoodie with a heavy chain, hands clasped in a prayer-like gesture while looking upward. Lasmid stands beside him wearing glasses and a dark jacket.

Large gold lettering spells out “FAITH,” with the artists’ names positioned above and production credit below. A parental advisory label sits in the lower corner. The visual matches the spiritual and reflective themes that have become a recurring element in Smoke’s recent work.

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Kweku Smoke, whose real name is Paul Amankwah, has built a strong following through raw lyricism that often blends street narratives with themes of resilience, struggle, and faith. Born in Accra, he attended Benkum Senior High School and later studied at the Kwame Nkrumah University of Science and Technology.

He first gained wider attention after collaborating with Sarkodie on the 2019 track “Yedin.” Subsequent projects including the albums Playman, Kweku Jesus (which topped iTunes Ghana charts), Born in Hell, and Walk With Me cemented his position as one of the leading figures in Ghanaian hip-hop and trap.

Tracks such as “Holy Ghost,” “Agyekum,” and “Jah Guide” have been praised for combining gritty delivery with messages of spiritual guidance and personal growth. At the 26th Telecel Ghana Music Awards, he collected multiple honors, including Best Rap Performance, Best Hip Hop Song, and Best Hip Hop/Hiplife Artist.

Lasmid has established himself as a versatile performer whose energetic stage presence and melodic sensibilities complement Smoke’s harder-edged style. The two have shared stages before, notably during Kweku Smoke’s Revival concert in Accra, where Lasmid was among the guest artists who delivered strong performances alongside Fameye and others. Their joint appearance on “Faith” marks a natural extension of that connection.

According to promotional posts circulating ahead of the release, Lasmid shared a snippet of the track earlier on Thursday, generating immediate positive reactions from fans who described the sound as smooth and promising.. The full track landed later that evening, prompting announcements that it was “OUT NOW.”

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The title and imagery align with a consistent thread in Smoke’s catalog. Songs like “Holy Ghost” and “Jah Guide” have explored faith as both personal anchor and protective force amid life’s challenges.

Listeners familiar with his work will likely hear echoes of that introspective approach on the new record, though early descriptions suggest Mog Beatz’s production brings a polished, contemporary edge. Mog Beatz has contributed to a number of Ghanaian releases and is known for crafting beats that balance street energy with melodic accessibility.

The release arrives at a time when Ghanaian hip-hop continues to attract growing domestic and international attention. Smoke has previously spoken about the genre’s potential to reach wider audiences, emphasizing authenticity and sustained focus over fleeting trends.

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His sold-out Revival concert demonstrated the depth of his fan base and his ability to command large stages. Collaborations with established names such as Sarkodie and consistent output across albums and singles have helped keep him in the conversation as one of the country’s most compelling rappers.

For Lasmid, the feature offers another high-profile platform to showcase his range. Ghanaian music thrives on cross-genre and cross-artist partnerships, and pairings that bring together rap intensity with melodic or highlife-influenced elements often resonate strongly with local audiences.

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Lasmid , Afrobeats Musician

Early online chatter following the snippet indicated listeners were drawn to the chemistry between the two voices.

Streaming platforms now list “Faith” under both artists’ catalogs, making it easily accessible to fans in Ghana and the diaspora. The parental advisory sticker signals explicit content, consistent with the unfiltered style many of Smoke’s listeners expect.

Cover art and promotional materials emphasize a serious, almost reverent tone rather than flashy excess, reinforcing the song’s thematic focus.

Public Reaction

Industry observers will watch closely to see how the single performs in its first days and weeks. Smoke’s previous projects have achieved strong streaming numbers and chart positions within Ghana. A well-received collab could further boost visibility for both artists and contribute to the ongoing momentum of the local scene.

Fans have already begun sharing the artwork and streaming links, with comments highlighting the visual presentation and anticipation for the full listening experience.

“Faith” arrives as more than a routine single drop. It represents the first new solo-led offering of the year from an artist who has steadily expanded his catalog while maintaining a distinctive voice rooted in Ghanaian street realities and spiritual reflection.

The involvement of Lasmid and the production work of Mog Beatz add layers of familiarity and freshness that should appeal to existing supporters and potentially draw in new listeners.

As the track begins its run on playlists and social media, it underscores the continued vitality of Ghana’s hip-hop and contemporary music landscape. Kweku Smoke and Lasmid have delivered a new record that invites audiences to engage with themes of belief and perseverance set against a modern sonic backdrop.

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Faith

With the song now available, the conversation shifts from anticipation to reception as listeners across the country and beyond press play.

READ ALSO:Education Ministry to Amend Act Over Catholic Bishops’ GES Council Snub

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